There are 18 tables, 8 bar seats and 8 church pew seats available for reservation. The remaining pew seats for this show are not reserved in advance. These seats are available on a first come/first served basis when doors open.
Ticket reservations at The Bluebird Cafe are an agreement to pay the cover charge and applicable taxes/fees and to meet the $12.00 per seat food and/or drink minimum.
Ticket holders may cancel their reservation for a full refund of the ticket price and applicable tax (excluding ticketing fees) if the cancellation is made at least 48 hours before the scheduled showtime. Cancellations made within 48 hours of the show are non-refundable. To cancel, please email [email protected] or call 615-383-1461. Phone line hours are Monday-Friday, 12-4 pm.
Note: When making reservations, choose the table you would like and then add the number of seats you need to your cart by using the + button. You are NOT reserving an entire table if you choose 1 (by choosing 1, you are reserving 1 seat). We reserve ALL seats at each table. If you are a smaller party at a larger table, you will be seated with guests outside your party.

Marla Cannon-Goodman was raised in Kingston Springs, Tennessee, where she had a front row seat for country music history as she watched her father, Buddy Cannon, shepherd the careers of new and legendary artists as a producer, songwriter and record label executive. Now, she has earned her own place as one of country music’s most-beloved and respected hit-makers.
Since her first cut by Sammy Kershaw in 1996, Marla has been making country music history of her own with songs recorded by artists such as George Strait, Eddie Arnold, Eric Church, Billy Currington, Mindy Smith, Kenny Chesney and Sara Evans. Marla’s chart topping hits include Lee Ann Womack’s number one smash “The Fool,” Tracy Byrd’s number one “Ten Rounds With José Cuervo” and Rodney Atkins’ number one hit “Cleaning This Gun.” She found further chart success with Blake Shelton’s top-15 hit single “Don’t Make Me.” You can also find her song “Unfair Weather Friend” on the Willie Nelson/Merle Haggard duet album, Django and Jimmie.
Brice has enjoyed a successful 25 year music career. As a songwriter he has had cuts with Garth Brooks, George Strait, Chris Stapleton, Hank Williams Jr, Randy Houser, Josh Turner, Reba McEntire, Gary Allan, Chris Young, Jon Pardi, The Grascals, Casey James, Darryl Worley, Randy Travis, Craig Campbell, Gretchen Wilson, John Michael Montgomery, Porter Wagoner and many more.
Brice’s songwriting hits include the #1 singles “Heartache On The Dance Floor” by Jon Pardi and “Nothing On But The Radio” by Gary Allan. Randy Houser’s “Like a Cowboy”,a song that also garnered Brice a CMA nomination for Song of the Year. Other recent chart toppers are Randy Houser’s debut single, “Anything Goes”, “Today”from Gary Allan,Casey James’ “Let’s Don’t Call It A Night”and Jon Pardi’s, “What I Can’t Put Down”.
Brice Long is signed to Sony / ATV Music Publishing. He is a native of Hopkinsville, KY. His self-titled album is available on iTunes or wherever digital music is streamed and sold.
Saddle Bronc athlete-turned neo-traditional country music sensation Chancey Williams, has gone from competing on horseback to performing on center stage. As one of only two artists (along with Chris LeDoux) to both compete in the rodeo and perform on the main stage at Cheyenne Frontier Days and the only singer/songwriter to be endorsed by CINCH®, Williams is the next authentic cowboy of country music. The northeastern Wyoming native has toured the nation, taking the stage ahead of headliners Toby Keith, Cody Johnson, Alan Jackson, Dierks Bentley and Parker McCollum, performing at a sold-out Ryman Auditorium, Red Rocks Amphitheatre, as well as headlining at The National Finals Rodeo and multiple performances at the Grand Ole Opry.
“For us, it’s been a long journey of playing against what was popular in country music, but we just stayed the course,” Williams told People Magazine of staying true to his roots. “I always tell the band, don’t worry about whatever any other artist is doing. We have blinders on.”
Representing the western lifestyle and cowboy mentality in its truest form, Williams’ sound and subject matter has found its time in Nashville’s country scene, as demonstrated on his latest release, sixth studio album One of These Days. One of These Days released to rave reviews, supported by the likes of People, Billboard, Taste of Country, Whiskey Riff, Holler.
Saving Country Music wrote, “If we could wave a magic wand and instantly remake mainstream country music into something much better than what it is today, Chancey Williams and his new album One of These Days would not be a bad wish at all.”
“The time has finally come for Chancey Williams,” declared People Magazine. “Cowboys are cool again!”