Originally from Waterloo Iowa, Emily moved to Nashville at age 18. Just two weeks later, she was signed to Warner Chappell by Tim Wipperman and Michael Knox. In 2003, she signed a record deal with Capitol Records and gained national attention with “Blue Sky,” a heartfelt ballad she co-wrote with Hall of Fame songwriter Gary Burr. The track featured a duet with Keith Urban and became one of her early career highlights.
After parting ways with Capitol, Emily independently released her EP I Hate You, I Love You, which soared to #2 on the iTunes Singer/Songwriter charts for two consecutive weeks. In 2014, she was invited to perform at the legendary Apollo Theater in Harlem for the 50th Anniversary celebration of The Beatles’ arrival in America.
With no set plans back in Nashville, Emily remained in New York, where a spontaneous audition led her to the national stage on NBC’s America’s Got Talent. Her haunting renditions of “Nights in White Satin” (The Moody Blues), “The First Time Ever I Saw Your Face” (Roberta Flack), and “Chandelier” (Sia) captivated the judges—especially Howard Stern—and the nation. Emily ultimately finished as runner-up in the competition.
Following AGT, she toured with Jay Leno, opening his shows with her one-woman blend of songs, stories, and comedy. In 2017, she signed with Sony Masterworks and released All For You, an album featuring both original material and standout performances from her time on television.
Emily’s songwriting continues to resonate with artists and fans alike. “American Actress,” one of her original compositions, was recorded by Sam Williams—son of Hank Williams Jr. and grandson of country legend Hank Williams—for his debut album.
As an independent artist, Emily remains creatively active. She collaborated with Grammy Award-winning producer Daniel Tashian on the EP Symphonies, and co-produced her album Dear Diary with Leroy Powell of Whiskey Wolves of the West.
A seasoned performer, Emily has graced the stage of the Grand Ole Opry 79 times, a testament to her enduring artistry and presence in American music. Through it all, Emily continues to nourish both her wounds and her wonder through the power of storytelling. As she says: “It’s just the beginning—always.”
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