THIS IS A PREPAID SHOW, REFUNDS ARE NOT AVAILABLE.
There are 18 tables, 8 bar seats and 8 church pew seats available for reservation. The remaining pew seats for this show are not reserved in advance. These seats are available on a first come/first served basis when doors open.
Ticket reservations at The Bluebird Cafe are an agreement to pay the non-refundable cover charge and applicable taxes/fees and to meet the $12.00 per seat food and/or drink minimum.
Note: When making reservations, choose the table you would like and then add the number of seats you need to your cart by using the + button. You are NOT reserving an entire table if you choose 1 (by choosing 1, you are reserving 1 seat). We reserve ALL seats at each table. If you are a smaller party at a larger table, you will be seated with guests outside your party.
Artists
Heather Morgan
Heather Morgan is originally from Richardson, Texas and grew up on voices like George Strait, Patty Griffin and Lee Ann Womack. She's written songs for Dierks Bentley, Kenny Chesney, Brett Eldredge, Scotty McCreery, Maddie and Tae, Luke Bryan, Brandon Heath, Wade Bowen, Cole Swindell, Keith Urban, Maren Morris, Karley Scott Collins, Tiera Kennedy, Dustin Lynch and more. Her vocals can be heard on albums by Jordan Davis, Dierks Bentley, Kenny Chesney, Wade Bowen, Brandon Heath and the Eli Young Band. She's written 4 #1 songs and won a BMI Song of the Year award for the song "Beat of the Music," by Brett Eldredge. She released her own artist project titled Borrowed Heart in 2018 which was featured on NPR, and acclaimed in The New York Times and Garden and Gun magazine. She's a co- founder of Girls of Nashville, a show established in 2014, that features female singer-songwriters on a collaborative stage with an all female band. Each show donates proceeds to organizations in the community while celebrating incredible female talent in Nashville and beyond. Her work with Girls of Nashville has been featured in Time Magazine, People Magazine and on The Today Show.
Sarah Buxton
Sarah Buxton is making the music she originally set out to make. The Nashville-based singer-songwriter has long excelled inside the machine with her eyes fixed firmly outside of it, plotting a space of her own. On her mesmerizing EP SIGNS OF LIFE, she’s made it. Buxton’s exquisite rasp of a soprano explores death, love, marriage, and the ways we need each other, like a tender but fierce friend willing to share what she’s learned.
“I always wanted to make a record that would live in somebody else’s world the way a Joni Mitchell record does in mine,” Buxton says. “I always felt like Joni Mitchell and Stevie Nicks were my older sisters, walking with me, lifting my chin up and saying, ‘You got this.’” She pauses, then adds, “Instead of being the artist’s, the song becomes yours when you listen to it––your song about your life.”
On SIGNS OF LIFE, Buxton’s songwriting––relied upon for years now by Nashville A-listers––is more potent than ever, vulnerable and free in the service of Buxton’s own vision and story. Sacred, feminine, natural, and wise, her new songs exude the energy mustered by looking for answers and the calm that comes with trusting yourself. “Obviously, I’m more mature than I was in my early 20s, but I kind of look at my place in the world the same way now that I did then,” she says. “When you’re older, you’re just as potent as you were, but with wisdom.”
A singer’s singer who’s lent her signature ethereal grit to projects for a range of artists from Miranda Lambert to Dierks Bentley to David Nail to Blake Shelton to Will Hoge, Buxton has also written songs for a list that’s equally impressive: Keith Urban, Florida Georgia Line, Big & Rich, Gary Allan, Trisha Yearwood, Caitlyn Smith, Sarah Jarosz, Reba McEntire, Harry Connick Jr., Dan Tyminski, and more. She’s sung on records for Urban, Florida Georgia Line, McBride, Smith, Tyminski, and numerous others as well––evidence of a telling pattern: When discerning ears hear her voice singing her song, they want to incorporate as much of Buxton’s magic into their own version as possible. Buxton has also contributed songs to hit TV series such as Nashville, for which she and co-writer Kate York earned an Emmy nomination.
When Buxton moved to Nashville from her native Kansas after high school graduation, she began school at Belmont University and co-founded Southern rock band Stoik Oak, who toured regionally. She signed her first publishing deal in her early 20s and not long after, inked a record deal with Lyric Street. Ultimately, that experience clarified her understanding of who she is and what she wants. “I think the reason I didn’t become a famous country singer was I wasn’t supposed to be a famous country singer,” Buxton says. “Simplicity––that’s what I hold on to.”
Ashley Ray
Born and raised in Lawrence, Kansas, Ashley Ray has written songs for artists like Little Big Town, Lori McKenna, Sean McConnell, Wade Bowen, Charles Kelly (Lady Antebellum), and Caroline Spence.
Jon Green
London-based Jon Green is a songwriter and producer of international renown – having had success across multiple genres including pop, rock and country. Jon has had success with James Bay, Kylie Minogue, Lady A (he co-wrote the band’s recent #1 single ‘What If I Never Get Over You’), Kane Brown (#1 Billboard Top 200 album ‘Experiment’) and Little Big Town (#1 US Billboard Country Album ‘Nightfall’).
Continuing the collaborations on chart-topping projects, he co-wrote and/or co-produced cuts off Linkin Park’s #1 US Billboard 200 album One More Light, plus Paloma Faith’s “Surrender” from her #1 UK album The Architect. He also co-wrote and/or co-produced multiple songs on James Bay’s multi-Platinum debut album Chaos and the Calm, as well as Bay’s follow up 2018 album Electric Light. Green has also written hits for other top artists, including 5 Seconds of Summer, Maisie Peters, Aquilo, Jason Mraz, Jack Savoretti, and more.
Green continues to spend a lot of time in the US, particularly in Nashville, where he has fostered relationships with some of the most influential and successful music makers.
